Apologies for the title, which references Feargal Sharkey’s 80′s pop hit – I couldn’t face linking to it, so I went with the most famous track from his days with The Undertones.
Much better than reading his thoughts on stopping music piracy reported by the BBC, where his thoughts as Chief Executive of umbrella organisation Music UK made me wonder if he’d had a Teenage Kick to the head at some point.
“Who would have ever predicted five years ago that there would have been such a thing as iTunes, which now has an 80% global share of all downloads,”
Well, since MP3s became widely available in the early-to-mid 1990s, I’d have said it was pretty obvious it would become a dominant force in changing music distribution. And having witnessed how record companies responded (e.g. Jammie Thomas), I’d have also put my life savings on a tech company becoming the dominant solution.
“The music industry is often having to wait and see what works,”
No it isn’t. The music industry is choosing to wait and see what works because it’s scared of innovating and changing in the face of losing the reason for existing – physical distribution. Radiohead weren’t waiting to see what works, and neither were Nine Inch Nails.
“At some point, our song writers and musicians have to be treated with enough respect that they can at least carry on with some basic quality of life that will allow them to carry on creating and performing year after year.”
I’d suggest reading Kevin Kelly’s excellent post on how artists can exist with financial success in The Long Tail – 1000 True Fans. I’d also ask when respect started directly relating to being paid a living wage? And why my respect for a musician should be risked by a record company getting my Internet Service Provider to cut me off from what I consider a basic living requirement in the modern age?
Just like a Good Heart is Hard to Find, so is respect, because it is something which is earned – not an entitlement by releasing a record. If an artist earns my respect for their talent, then I’m happy to pay money directly to them – by going to their gigs, buying their T-shirts, buying their cds and constantly mentioning them. Like this chap for example.
And for some further reading, here’s my previous posts on the music industry: Behind the Music, More fuel for the record company bonfire, and Record companies are really screwed.
If the record industry wants to survive in one form or another, there are plenty of people who could lead it forward. Lawrence Lessig, Chris Anderson, or even someone with some professional musical experience as well as the vision needed, Jonathan MacDonald. Christ, offer me enough money, unlimited downloads and some gig tickets and I’ll come and sort it out for you. It’s pretty simple.
- The current model will not be saved. Use the remaining profits to find the new model.
- The size and power of record companies will never be the same. You screwed up by waiting this long. Get over it. I lost sympathy for you as a child when I read about how Stax was bludgeoned out of existence in the 1970s. Record companies will be much smaller, with fewer employees, and they’ll need to work harder. Like everyone else.
- Innovate like crazy. Use the money you still have to throw 1000 quick and easy ideas out there. Give music away. Create better opportunities around live events and merchandise. Use ways to reach the truly passionate fans.
- Embrace people that are pirating and sharing your music. They’re doing the same job John Peel did when he played an E.P made by The Undertones just as they were about to split up, and made them famous. If I found someone who was sharing music from artists with 1000s of people worldwide, I’d make him Head of Distribution!
- Start hooking up with the people doing cool stuff without you – and hope you can bring something to the party to let you join. SliceThePie, Amie Street, Sellaband, Sonoma Wireworks, Blip FM, TheNextBigSound.
If I can find these sites as a music fan with a tenuous relationship to the music industry, what on earth are the people in your offices doing with their time?
