Big money for hacked Twitter accounts

Stolen Twitter accounts appear to be commanding a premium amongst hackers sharing details on forums.

Data stealing software is a risk to your details for any site, but according to Kaspersky researcher Dmitry Bestuzhev, he’s seen  a Twitter account with just 320 followers offered for as much as $1000. In this case, the three-letter username may have influenced the price.

That compares with Gmail accounts for $82, Rapidshare accounts for $5 per month, and other sites including Skype and Facebook. Bestuzhev also went on to say Kaspersky had detected 70,000 data stealing programmes in 2009, which is twice as many as in 2008.

Twitter is likely to be a preferred route to spread malware as links can spread in near real-time to hundreds or thousands of followers – each of whom can quickly and easily repeat a malware message to their own network.

Malware messages are also hidden by shortened urls, and with the amount of links spread via Twitter, there’s a good chance people are less suspicious than seeing the same links in an email or IM message.

It’s a reminder to make sure you use a unique password which is a mix of alphanumeric characters, and to change it regularly. Be careful of sharing it with third party sites and tools which aren’t using Twitter’s OAuth protocol, and be careful with links being posted by others – even including people you trust.

(Via Computerworld)

Speaking, presenting, writing, and catching up…

I’m finally able to do something to assuage my blog guilt, after a week of some great meetings and working hard on a lot of cool stuff which unfortunately I can’t share just quite yet…

But I can share a very nice testimonial from Julian Thorne, Managing Director of Dovetail after they kindly let me present at their client conference recently…

‘Dan is incredibly knowledgeable about the social networks in all their myriad guises. He also has that rare ability to enthusiastically inform the uninitiated without ever being patronising’

You might not have heard, but my blogging absence coincided with some small computer and phone company launching some kind of computing device. Hence a post about what it could mean on the One Golden Square blog. Which led to the pleasure of writing a bit of a follow up on the Music Week site. And I’m also flattered by the fact Michael Leis credited me with inspiring his latest post on the iPad. (Incidentally, Michael has been on a bit of a roll with his blog posts recently – some great writing about the usage of APIs for example. Well worth reading/subscribing to).

On balance all that good stuff, this was the week when my Xbox decided to encounter the dreaded ‘Error 74’ – which basically means it has self-destructed just out of the warranty Microsoft specifically extended to three years to counter the fault. That means a £68 repair bill or buying a new Xbox in the post-Christmas month notorious for sending people into debt anyway.

What’s been interesting is that I don’t actually miss playing video games during my enforced break (I have to admit to also owning a PS2, PS, Dreamcast, N64, Sega Saturn, SNES, NES, Megadrive, Master System and various other consoles and computers if needed – reverting to the geek stereotype).

But I really miss the social side of online gaming. Particularly as a core group of friends who I rarely see in real life have all been online every time I’ve logged onto Call of Duty: Modern Warfare 2. It’s the fact I’m now barred from this interaction which is the stressful part, and the reason that I’m rebalancing the family budget to accommodate a solution asap.

It makes me wonder about the effect of a more complete disconnection – I’m still online and keeping up with my social life on Twitter, Facebook, forums etc – it’s purely the team-based adrenalin of online warfare I’m missing… But between work, commuting, writing for my personal projects and family life, it’s the one vicarious bit of entertainment in my life at the moment.

Still, it’s spurred me into arranging a couple of drinks with some friends, so I guess it’s not all bad…

The first live tweet from space…

In the past, tweets have been produced on behalf of astronauts, but they were actually posted by someone on the ground…

Now though, that’s changed…

first twitter update from space

The first tweet to have been constructed and posted from space

So 8.13am on January 22nd, 2010 marked one small tweet for man, and one giant leap for microblogging kind…

Forget e-readers, I just want a CC-reader

I’ve been doing a bit of research into ebooks and e-readers recently. Partly as I was kindly invited to speak at a client conference for publishers (more on that in the future), and also to keep up with the technology on a professional and personal level.

I’ve heard two major criticisms about the format as a whole so far. The first is that the technology isn’t a direct equivalent replacement for paper – the feelings,sensations and effect of reading in print can’t be replicated by an electronic device, and that’s completely true. But at the same time, as noted author, publisher and general genius  Cory Doctorow has said for years, that’s not the point of e-readers, and that’s not where their success will come.

The second criticism I’ve heard several times is that initially you’re stuck with copyright-free material pre-loaded, and buying new content can be difficult, leaving a fairly unsatistfactory experience. And yet I regularly read great books in PDF format on my laptop – particularly when I’m on the train and the wifi fails.

In fact, during the past week or so I’ve been reading two absolutely brilliant and highly recommended books:

Bringing Nothing to the Party by Paul Carr – the sometimes rude, sometimes bizarre, often revealing and occasional insightful story of a not-entirely successful attempt to become an internet billionaire. Bringing Nothing To The Party: Paper Version.

Content by Cory Doctorow – selected essays on technology, creativity, copyright and the future of the future, which is essential reading for anyone in publishing or technology – and happens to have a lot of great insight into ebooks and e-readers. Content: Print Edition

What both books have in common is that they’ve been made available as free downloads under Creative Commons licence. That’s the legal framework for creators to allow others to legally share, remix and reuse their content as licensed – something worth knowing about if you want to avoid being a national newspaper stealing work without knowing the copyright rules involved.

There are some great works which are out of copyright – but I’d bet that actually Creative Commons works which are concurrently released commercially will be in a more accurate form, for example, as many authors are realising that releasing CC copies will help the sales of non-CC versions.

Which made me think about how it might be possible to create a library of Creative Commons material for ereaders etc – which could then be reviewed and rated in Amazon-type fashion. CC Licenced content should be of the same quality as the paid-for version if it’s to be effective.

So far a quick bit of research has brought up one decent list of Creative Commons books available, which describes itself as ‘woefully incomplete‘ – but also as a wiki doesn’t give any indication of whether the works are any good,  and the fact Google Books allows authors/publishers to mark their work with a Creative Commons licence (Although without being able to search for CC content, it’s a bit pointless).

An online and e-reader available library of CC-licenced content which is rated and reviewed by users would be a great benefit, both for e-reader manaufacturers and users, but also importantly to raise awareness of the Creative Commons licence itself, which means nothing to a huge number of people who aren’t creative digital people, and which gets confused by a large number of people who are creative digital people.

And I even suspect it wouldn’t be too hard to create – a simple multi-user review site on an open source platform, and enough people to spread the word would be a great start, run on a non-profit basis, and collating enough works to allow e-reader manufacturers to easily give users access to a huge number of brilliant works (which would also be a trackable mechanism for boosting sales of the paid versions, and thus giving another benefit for traditional book publishers).

It’s not an idea I could carry on my own, but if anyone’s interested, let me know in the comments or via email (On the About page)…