What the internet should be for…

Find something cool (in this case, a 9-year-old’s DIY cardboard arcade), share it, and bring people together to enjoy it and make a child very happy.

Story via BoingBoing.

The best way to enrich the web is to go out and discover, find and create interesting things and then help people come together around them.

We live in strange times…

It’s been a strange couple of weeks, both personally and given the events occurring across the country. My personal situation is changing radically, I’ve had some unfortunate news about some family members, and it’s been hard to collect my thoughts on anything not immediately related to my work whilst mainstream media, Twitter and Facebook have been constantly churning with updates, responses and reactions to the civil unrest.

Having seen and attempted to analyse social media in the context of events abroad, it’s been strange looking at something so close to home, affecting friends and former colleagues. I’ve watched mainstream media struggle to add any meaningful context and insight into events as online media and networks have been providing both, and seen a wide range of responses from all areas of my online connections.

I’ve bemoaned the amount of commentary from middle-aged white commentators on what is happening with young multicultural teenagers in areas of economic deprivation, and the number of politicians who don’t seem to know what the heck is going on, but want it to stop unless they can score some political points from it.

I’ve seen social herd behaviour lead to violent unrest, and then seen it result in people coming together to clean up the aftermath.

I’ve seen people criticise those who copied people in joining in mindless violence end up copying people who signed up to a group started by someone who has consistently posted offensive and racist content.

I’ve seen the media mis-label social networks and flash mobs, and at the same time as they look at communication tools as a cause, they’re using them to share their own content from reporters on the ground and news teams back at the studio. And I’ve seen police forces change from engagement to enforcement on social networks.

I’ve seen important reports and information mixed with rumour, hearsay and almost hysterical panic, and both the mainstream media and online media have shared in misreporting the facts as well as bringing important news to light.

And I’ve seen a huge mix of people looking for punitive retribution as a solution to the problem, and an unequal number looking at what they believe to be the causes and triggers of the events which could potentially have been prevented.

And given what appears to be a relatively quiet and trouble-free night, at the end of it all, it’s hard to quantify exactly what has changed as a result of the rioting, whether in a political, social or purely technology-led sense.

Despite the predictable flurry of bloggers attempting to get traffic by relating their top tips for marketing or small businesses which can be derived from the rioting, there’s still a huge amount of uncertainty in the air, and a sense that the implications of what has happened will take a while to surface.

And all of this comes at a time when the digital era is still leading to massive media disruption, the increase in robotic technology is having more implications for unskilled labour, and 3D printing is set to unleash a whole new wave of disruption to the manufacturing industry.

Strange, and interesting times indeed.

Great videos on the creative culture and remixing…

I’ve finally got around to watching the first two parts of ‘Everything is a Remix‘, (h/t Rubbishcorp and Only Dead Fish), and it’s a really good series of realtively short videos looking at the pervasive remix culture which has become more explicitly acknowledged in the digital era:

Part 1:

Everything is a Remix from Kirby Ferguson on Vimeo.

Part 2:

Everything is a Remix Part 2 from Kirby Ferguson on Vimeo.

It’s very well-made and crafted, and Kirby Ferguson does a great job of pulling together a huge number of sources and insights. And oddly enough in the spirit of remixing, it reminds me a lot of another great film about remix culture, RIP! A Remix Manifesto, written and directed by Brett Gaylor.

What’s particularly interesting is that Kirby lists RIP! in his references section, alongside another film, ‘Good Copy Bad Copy‘, which begins which features DJ and remixer Girl Talk from the start – who also plays a big part in RIP.

All three are worth watching, and it’s interesting to see the similarities, differences and shared influences. And if anyone goes on about how bad remix and mash-up culture is for artistic endeavours, or consumers, it gives me a lot of hope that talented filmakers around the world are creating great documantary remixes on the topic of remixes.

If you’d prefer to examine the written word when it comes to remix culture, copyright, and the legal issues involved, then you can do no better than to start with Lawrence Lessig. Code 2.0 and Remix are highly recommended and the also excellent Free Culture is available as a free download under a Creative Commons licence, from here.

Ebooks evolving: TEDBooks launch as Kindle Singles

The launch of Amazon’s Kindle Singles has been accompanied by the launch of TEDBooks – short nonfiction works designed for digital distribution by following the type of idea which has resonated from the global series of TEDTalks, and presenting it in less than 20,000 words, which is enough for a single sitting. And you can read them via any device with a Kindle App: iPad, Mac, PC, Android, iPhone, Blackberry and Windows 7 smartphones, as well as the Kindle itself.

Longer than a typical magazine article, but shorter than your typical book, it’s an interesting approach which sees three books available at launch for $2.99. The line-up is The Happiness Manifesto: How Nations and People Can Nurture Well-Being by Nic Marks, Dangerism: Why We Worry About the Wrong Things, and What It’s Doing to Our Kids by Gever Tulley, and Homo Evolutis: Please Meet the Next Human Species by Juan Enriquez and Steve Gullan.

The presumption behind the books is that their length and cost will see people choose them in preference to magazines or other short entertaining diversions, and I think it’s a fair gamble to make. I don’t think it would work for everyone, but the ideas which are shared at TED events are always interesting, engaging and designed for you to want more. It also means I can self-serve myself the topics I really want to know about, rather than paying a few dollars or pounds more for a magazine, which often contains things that I either don’t care about or don’t read if time is short.

It’s interesting to see projects like this, and Seth Godin’s The Domino Project, all taking a new look at how publishing works in a digital world, and pretty much starting from scratch and building from there. Does a book need to be a certain minimum length? Does it need a traditional print version, or the standard marketing and promotion? Will people go for something for a couple of quid or bucks, and will they choose that over a longer, more general, and more expensive magazine?

It’s also interesting that these ideas are coming Amazon, TED and Seth Godin, not a traditional book publisher. That’s not to say traditional publishers aren’t changing, but it seems like starting from a fresh perspective could reveal a lot more about the future…

(Incidentally, an alternative source of TED inspiration are the videos of TEDTalks available via Youtube. I can’t recommend it highly enough if you fancy watching talks ranging from the likes of Stephen Hawking, Bill Gates and Richard Dawkins through to the likes of Christoper ‘Moot’ Poole – the founder of 4Chan.)

(And if you’re intrigued or interested in what books I’m currently planning to obtain for myself, here’s my current tech/marketing/digital culture wishlist on Amazon – this isn’t a cheap ploy for presents (Although they’re always nice), but it’s the one place I’ve gone to the trouble of updating recently with recommended additions to anyone’s library. I’ll have to go back through the various book sharing social networks to provide a complete list of everything already assimiliated. Anyone got any recommendations?)