TheWayoftheWeb

Interestingly, after postulating (and possibly posturing) my view on how streaming TV and video solutions are a bigger piracy threat than Peer-to-Peer services like Bitorrent (Which grab all the headlines and the attention of the multimedia industries), I spotted this: P2P traffic drops as streaming video grows in popularity.

While the Ars Technica article looks at legal streaming solutions, like the BBC iPlayer, Hulu and Veoh, the fact that it’s encouraging users to utilise faster broadband connections to consume content which is quicker, easier and safer to view means there’s likely to be an equally large amount of people realising ways they can share paid content for free via streaming websites.

Funnily enough, it’s not just problems with the content itself - The Spyware Guide blog reveals an example of a fake site claiming to stream the complete Batman: The Dark Knight movie - but the real motive is to get you to download a dodgy .exe file.

When I was a child and teenager, I was as obsessive about music as it was possible to be. I combined aspirations of becoming a professional musician and DJ, with the compulsive behaviour of a serial librarian and collector. So you can imagine how many music magazines (NME, Melody Maker, Metal Hammer, Kerrang, Record Collector, Mojo, Q etc), and how many records and eventually CDs I consumed - just to make it clear I’m not completely over the hill, CDs came into circulation when I was about 11 or 12 I think…

And just as my interest in videogames and comics have both waned during early adulthood and resurfaced now due to meeting likeminded people online, my interest in music has seen a healthy resurgence. In the meantime, I still listened to all my old purchases, but I rarely found anything new. That’s changed a lot thanks to the internet.

There are basically three sites I use for all my music needs (although for the moment I still only have a radio in my car!)

• Blip.fm - There’s been a lot of buzz around Blip recently. In fact, I even suggested it shows the best method of monetising Twitter, as it’s essentially a cross between a microblog, and an annotated John Peel show. You simply tell people what you’re listening to, and if it’s available on the site they can listen as well - and that’s all filtered by who you follow, with the option to buy MP3s if you like something enough.  It’s perfect for a quick blast to find songs I’d have never heard about, or listened to, unless it was recommended by a trusted source.
• Last.fm - It’s essentially the only real option at the moment if you’re outside of the U.S. We can’t access Pandora (but founder Tim Westergren has stated it’s close to closing anyway), and Meemix seems to have focussed on extras rather than a reliable player.
• Myspace - Yep, it’s hard to believe in the age of Facebook dominance, and open source Muxtapes, but if I hear a bands name, and I want to hear their songs really quickly and easily, I tend to end up going to Myspace even before last.fm - mainly down to speed. It’ll be interesting to see if that means I use it more when the Myspace streaming radio finally appears. It might replace last.fm, but only if it offers a stream of my favourite choices without a need to subscribe

And that’s about it for music. I very occasionally catch a music show on TV (I’ve been looking at 4Music as it’s co-owned by Bauer Media where I work, along with Kerrang). I hear the radio for about 10 minutes in the car (and that’s only until I replace the stereo so I can listen to podcasts), and my only real radio use is to listen to live football if I can’t watch it. Three online services, and the recommendations I receive have replaced pretty much all my other musical inputs.

And incidentally, all my latest CD and MP3 purchases have all been songs that I would never have heard on the radio, were all things I generally struggled to find in most music shops, and once again persuaded me how much easier it is to find music online.

There’s been a lot of discussion about whether the new Myspace Music store will pose a threat to the Itunes and Ipod Applopoly. But I’m a little surprised by Last.fm co-founder Martin Stiksel being so ready to dismiss the threat to streaming music services.

The growth and success of Itunes, added to the image of Apple products and services, gives it a fairly secure position at the moment, and it would take something pretty revolutionary to overturn that. Certainly I’ve encountered enough people who have lost music collections from Ipods yet won’t switch to an alternative to realise Apple devotion works across all their products and services. And enough alternatives exist, even including supermarkets.

However, plenty of people already use Myspace to listen to individual tracks by their favourite artists, and offering a streaming radio service without limitations would make this option extremely attractive. And would seriously threaten several services.

I recently heard a stat regarding Last.fm which is pretty believable. Apparently just 25% of Last.fm users actually visit the website, with most using the ’scrobbling’ tracking software, and possibly the downloadable radio player. It makes sense as the Last.fm site is hobbled by 30 second clips, and limits on the amount of times you can listen to individual tracks by specific artists. And although it does a reasonable job of finding similar artists, it won’t let you play the specific inspiration before sending you round the houses, which leaves the similar artists without any context. The arrival of Myspace could push Last.fm to concentrate on scrobbling and displaying widgets, which will either lead to new and interesting revenue streams, or could put a real chokehold on the traditional display advertising on the website.

Meanwhile Pandora.com is still on a U.S only lock down. And when you’ve taken something away from users, it puts you in a far worse position than when you’re launching for the first time. There’s no news on any re-opening to non-American markets, and in the meantime, along comes a site already extremely popular, and proposing free music streaming. Suddenly the non-U.S. world forgets Pandora exists. That’s going to limit expansion!

And then you have a myriad of small rival streaming services, like Meemix, which has a plethora of great add-ons and ideas around their music service - but has a corresponding amount of niggles and flaws, as if the ideas exceeded the ability to deliver in a simple and user friendly way.

Myspace can be far from user friendly - but enough people are already familiar with it and accept the problems to mean they’ll jumping all over new music options. And various research shows that the early adopters who jumped ship to Facebook etc are likely to still have a Myspace profile and pop in occasionally, so a fair few profiles could be fired up again to explore a new music option.

At the end of the day, it could be really good news for consumers, as Myspace plans to offer DRM free downloads (possibly pressuring others to follow suit), and it could prompt some serious thoughts about giving more value to users in the streaming market, and some serious attempts to differentiate and move ahead. It’s not often I praise and support Myspace, but for once their plans have my vote.