BBC reminds me of two elements of consumer satisfaction

I’m a big fan of much of the work the BBC does online, and in general it does a very good job of providing a massive amount of content in a fairly logical manner.

But using the site as a consumer with a couple of urgent needs highlighted a couple of things which I think are good lessons for any website:

Multi-channel delivery:

I’m a huge fan of the BBC iPlayer, and the fact it allows me to watch good quality online and on-demand television. So on Sunday morning, I rushed to watch Match of the Day, having missed it on Saturday night (and with the Absolute Radio Fantasy Football game meaning I need to pay extra attention to every team this year!).

But the listing was greyed out – and with no reason given, I had to presume it was down to the licensing rights for the Premier League.

So it was a bit weird to be looking for something else a bit later, and stumble across it in the sport section! (Flaw here was attempting to browse my way to it, rather than using the site or Google search.)

The lesson: If you’re putting out content through two difference channels for whatever reason, then link between them! And always try to explain why someone can’t access something if they might logically think they should.

Reassurance:

The BBC carries a lot of event coverage, particularly in areas such as music, and especially sport. For example, it’s great to be able to watch the MotoGP series via the BBC, and also great to be able to see the full list of races (125 and 250cc) online, as my TV set-up seems to struggle with the Red Button Freeview channels.

But although it’s nice to see everything go live at the same time, as if a single switch somewhere brings everything to life, unless you’ve got Freeview and the website running at the same time, it isn’t that impressive. And the fact the online feed wasn’t listed from the MotoGP page of the Sport section until the video went live two minutes after the listed time meant that I probably wasn’t the only one frantically refreshing the page to see if it would appear or if there was a problem.

The lesson: If you’re covering an event that starts at a specific time, why not have a page and link ready and live in advance, which can provide a bit of reassurance for internet users? That way, we can relax knowing that everything will go live at noon, for example, rather than worrying that there’s a technical fault with 1 minute to go. Whatever happens afterwards, we’re already stressed and less likely to enjoy and appreciate your hard work!

 

I’m still a huge fan of the BBC, and there are hundreds of sites which could have been used for the same points – the reason it stood out for me was that I was a completely powerless consumer. Reinforcing the final lesson – always look at your website as a consumer trying to achieve something.

Does mainstream media really boost Twitter followers?

There’s been some coverage of the appearance of Twitter on Friday Night with Jonathan Ross, due to both @wossy and guest @stephenfry not only being ‘celebs who Twitter’, but actualy ‘celebs who really get how Twitter works’.

Martin Belam calculated that Stephen Fry had increased his follower count by 16% between the filming on Thursday and Sunday morning.

Personally, I’d have calculated any effect from when the programme was first shown, as that’s when new followers would appear. Neville Hobson used Twittercounter to count 4000 new followers for StephenFry in the first 24 hours, but really focuses on the increase in activity and conversation from existing Twitter users about the TV mention. (Techcrunch UK also has a summary of the TV coverage)

But hang on a minute.

Even if we take the total at 10.30pm on Sunday, @stephenfry has gained 8864 from an audience of 4million+. Meanwhile 84% of his followers appeared before the mass media appearance, by finding him on Twitter and spreading the word.

So he gained 8/10 followers by conversation, word of mouth and social networking, and just 2/10ish by broadcasting on the biggest national TV station in the UK.

Does mainstream media coverage really boost followers or validate Twitter?

Creative inspiration – interviews with TV writers

It’s easy to like Charlie Brooker for his ability to rip something apart in a suitably scathing way, but sometimes he also betrays himself by giving away insights into how to build something up in the first place.

Which is why I’ve spent a happy 50 minutes watching a Screenwipe episode in which he interviews some brilliant TV writers about how and why they write.

The writers are Russell T Davies (Doctor Who), Graham Linehan (Father Ted, the I.T Crowd), Paul Abbott (Shameless), Tony Jordan (Eastenders, Hustle), Jesse Armstrong and Sam Bain (Peep Show), and Brooker himself wrote Dead Set, which is on Channel 4 at the moment.

Highly recommended for anyone doing anything creative – it’s inspirational, makes writing seem hard but possible, and helps remind everyone that there’s no set rule on how to do it, aside from hard work.

Sadly, the fact it’s on the otherwise brilliant iPlayer means:

  • I can’t embed it.
  • The chuffing thing will be gone in 5 days (or 30 if I download it).
  • The fact I want to watch it again and again in the future means some enterprising person will have to illegally steal it and distribute it.

Internet pirates will sail the streams…

Interestingly, after postulating (and possibly posturing) my view on how streaming TV and video solutions are a bigger piracy threat than Peer-to-Peer services like Bitorrent (Which grab all the headlines and the attention of the multimedia industries), I spotted this: P2P traffic drops as streaming video grows in popularity.

While the Ars Technica article looks at legal streaming solutions, like the BBC iPlayer, Hulu and Veoh, the fact that it’s encouraging users to utilise faster broadband connections to consume content which is quicker, easier and safer to view means there’s likely to be an equally large amount of people realising ways they can share paid content for free via streaming websites.

Funnily enough, it’s not just problems with the content itself – The Spyware Guide blog reveals an example of a fake site claiming to stream the complete Batman: The Dark Knight movie – but the real motive is to get you to download a dodgy .exe file.